Windows, streetlights and illuminated signs in Paris, Berlin, London and Prague.

Created in 1928, Eugène Deslaw's Les Nuits Électriques (1928) breaks away from traditional narrative structures, instead focusing on the visual symphony of nighttime cityscapes.

Deslaw's camera captures the pulsating lights of Paris, Berlin, London, and Prague, transforming streetlamps, shop windows, and neon signs into a dazzling display.

This emphasis on light and movement reflects a core tenet of experimental film: the exploration of cinema's unique potential as a visual language. Les Nuits Électriques doesn't rely on a plot or actors to tell a story. Instead, it uses fragmented imagery and rhythmic editing to evoke a mood and inspire new ways of seeing the urban environment.

The film's title itself, translating to "Electric Nights," hints at its connection to the burgeoning modernist movement. It celebrates the new energy and dynamism of modern life, showcasing the city as a canvas pulsating with light and movement. Les Nuits Électriques stands as a testament to the power of experimental film to push boundaries and redefine the cinematic experience.