Pastor dreams of naked Truth exposing hypocrisy in church & society.

Hypocrites (1915), directed by Lois Weber, pushes boundaries in both narrative and content. The film interweaves two stories: a medieval monk sculpting a nude figure representing truth, and a modern-day minister grappling with societal hypocrisy. This non-linear approach challenges traditional storytelling, inviting viewers to connect the themes across time.

Furthermore, Hypocrites broke new ground with its use of nudity. The unclothed female figure representing truth sparked controversy, but Weber defended it as essential to the film's allegorical message. This bold artistic choice exemplifies the willingness of experimental filmmakers to challenge societal norms and provoke discussion.

Technically, Hypocrites utilizes innovative techniques. Superimpositions and dreamlike sequences blur the lines between reality and metaphor. This visual experimentation reflects the broader exploration of form that defines experimental cinema.

Ultimately, Hypocrites' combination of unconventional narrative, daring content, and technical innovation places it firmly within the realm of experimental film. It serves as a reminder of cinema's potential to challenge, provoke, and redefine the boundaries of the art form.