In this ad for Excelsior tires by Ruttmann, geometric shapes attack but the tire remains undamaged.

Walk into the world of early abstraction with Walther Ruttmann's Der Sieger (1922). This brief, silent animation pushes the boundaries of traditional cinema, exemplifying the spirit of experimental film.

Ruttmann abandons conventional narratives and characters. Instead, the screen comes alive with dynamic geometric shapes – circles, squares, and points. Their movements and interactions create a visual language, suggesting themes of competition and triumph, as hinted at by the film's title, translating to "The Victor" in English.

Der Sieger is a prime example of how experimental films explore the visual potential of cinema. Ruttmann utilizes innovative techniques like stop-motion animation to manipulate the shapes, creating a sense of playfulness and dynamism. The film's abstract nature invites individual interpretation, encouraging viewers to engage with the imagery on a personal level.

Der Sieger stands as a testament to the early days of experimental film. It paved the way for future generations of filmmakers to challenge cinematic norms and explore new ways of storytelling through the power of moving images.