Lovers fight Death's grasp amid Spanish plague's horror.

Danse Macabre (1922), a silent film collaboration between choreographer Adolph Bolm and director Dudley Murphy, isn't simply a filmed ballet; it integrates animation, special effects, and innovative synchronization with live music.

The film takes its inspiration from composer Camille Saint-Saëns' "Danse Macabre," a piece depicting a chilling dance between Death and revelers. Murphy utilizes superimposed imagery, with Death's skeletal figure appearing alongside the living characters. Animation further blurs the line between reality and fantasy.

Danse Macabre is also a pioneer in synchronized sound. While silent films of the era relied on accompanists who might adjust their tempo based on the visuals, Murphy envisioned a tighter connection. He experimented with rheostats, devices that could alter the film's projection speed to match the music.

Though a short film, Danse Macabre stands as a testament to the early days of experimental cinema. It dared to combine established art forms with new technology, paving the way for future filmmakers to explore the ever-evolving possibilities of the medium.