Absurd film cuts & pistons dance to a pounding score, mocking the modern machine age.

Unlike traditional films with narratives and characters, Dudley Murphy and Fernand Léger's 1924 film, Ballet Mécanique, throws those expectations out the window. Instead, it presents a whirlwind of fragmented images – close-ups of machinery, geometric shapes, and playful abstractions.

This fragmentation is a hallmark of experimental film. It rejects the idea of a singular, linear story, opting instead to explore the visual and auditory possibilities of the medium itself. Ballet Mécanique emphasizes rhythm and movement, creating a visual "dance" through rapid cuts and editing techniques.

Furthermore, the film reflects the fascination with the modern world that permeated much of 1920s art. The inclusion of machinery and industrial forms reflects a new era shaped by technology. By celebrating the mechanical, Ballet Mécanique aligns itself with other avant-garde movements that sought to capture the dynamism of the modern age.

Ballet Mécanique's influence on cinema is undeniable. Its playful experimentation with form and its celebration of the visual language of film continue to inspire artists working in experimental filmmaking today.