Bright shapes move against a dark background in the third part of the series.

Created by German filmmaker Walter Ruttmann, Lichtspiel Opus III (1924) is a purely visual experience. Ruttmann utilizes a technique of manipulating shapes and colors on film, resulting in a dynamic interplay of abstract forms.

The film's focus on visual abstraction reflects a key tenet of experimental cinema: the exploration of the formal properties of film itself. By abandoning conventional storytelling, Lichtspiel Opus III invites viewers to engage with the film's movement, rhythm, and composition. This emphasis on the visual language of film would become a cornerstone of the experimental movement, influencing generations of filmmakers to come.

Lichtspiel Opus III's exploration of the relationship between film and music is another hallmark of early experimental works. The film's abstract visuals often move in harmony with a musical accompaniment, creating a dynamic interplay between the two art forms. This exploration of cinematic synaesthesia would become a recurring theme within experimental film, pushing the boundaries of the medium's expressive potential.

Lichtspiel Opus III stands as a testament to the spirit of innovation that characterized early experimental film. Through its visual abstraction, exploration of form, and engagement with music, the film offers a glimpse into the artistic possibilities of the cinematic medium.